Hannotone Instrumentation

"Once music begins playing, it means that no human being can proclaim that they are hungry. To attempt to claim otherwise is devilry. For that reason, virtue must always be observed in the company of humanity's throes."

Across the field of music, there are many different notes, tones, pitches, and sounds that articulate unique melodies and rhythmic cadences which move by variant methods. One form of instrumentation among these is 'Hannotone'. Hannotone is a ten tone scale of notation that machines tonality, pitch, et cetera along the lines of a developmental increase of sound from a suppositional base standard of measure. When viewing a rudimentary construction of Hannotone instrumentation, ten strings within a wooden frame would be seen with one additional string fitted within the processes to serve as an interval note. The ten strings, however they are spaced, would be marked with the symbols...

,  ,  ,  ,  ,  ,  ,  ,  , and 

...and the interval note string would be marked with a '-'. Each note is designed to articulate a different sound, and the dash separates those sounds. The inflections of the melody's pathology are built around this principle of dynamic tonality, and as an emphasis, the general 'feel' surrounding its resonance is one that imparts a lightness to an enumerated configuration that houses a massive capacity for arrangement. In this way, the instrumentation described above is one that seats its own structuralisms in alignment with the whole of the fundamental philosophy discipline. As a staple song, the notes written as numbers compose a hymn known as the Rainbow Song, and with the voluminous collection, the whole of the method of instrumentation grows from fundamental philosophies to clear and explicit practices and disciplines.