Starvation: The Most Lethal Form of Martial Art

         

When there is no energy left in the body to function, the only action left to take is rest. It does not matter the context of the situation or manner in which it manifests, the overarching rule, by the measures seen in the fields of physics and general mathematics, is one that states the above as a natural principle of reiterate. The lethality of starvation, as an art form, is surpassed by no other discipline because of the natural fundamental principles outlined above. No energy may or may not mean life, but it assuredly means death, because in a state of no waste the only condition that can guarantee the above dynamic is death. The most potent grades of the art are characterized by the extent to which can one can measure the holistic finality of interpretable conclusion. The thermodynamic sustainability that results from the above described pathological conclusion is one that propagates by the resonant confirmation of "whole" or "complete". Starvation that is begun with a certain level of understanding in mind is one that finishes with either that same level or its continuing dynamics of development. One can only interpret an art, occurrence, or lethality, even, to the extent to which one is able to make sense of the event or subject. Outside of this dynamic, the lethality still holds, but the measured understanding is one that grows to incorporate generalist factors that do not move from their stagnant basis of holist prose. Starvation is not the only way to conduct the above, but its methodological instrumentation is one that seats the most whole means by which to do so given the principles of design. Conclusively, starvation is the most lethal form of martial art, and considering its practice as an inevitably integral discipline of study, the development of its conduction as an artform is one that can only grow with time.